Frederick Delius: Prelude to Irmelin
Context
Composed between 1890-92. Frederick Delius’ opera Irmelin had quite a wait until its premiere in 1953. The opera is based on two different fairytales, with Delius writing the libretto as well as the music. Sir Thomas Beecham directed the UK premiere of Irmelin in 1953, with critics highly praising Delius’ creation.
The Music
The Prelude to Irmelin is not heard as the full piece, but rather it is an addition to the opera, with it being used as an orchestral miniature. The work has been recorded by a number of orchestras and conductors throughout the years, with many commenting on Delius’ geniously subtle writing. The prelude was published in 1938 and dedicated to English composer Eric Fenby.
Opening with a woodwind call and response figure, the strings are accompanying with a suspended line. The warm Englishness of Delius’ sound radiates immediately, bringing the listener into the fairytale world of Irmelin. A typical soundscape for Delius, his use of woodwind, in particular the clarinet, is pertinent and grows throughout the prelude. The use of a harp adds a sparkle to the mix, which is soon taken over by strong and wilful lower strings. The general mood and serenity of the music does not waver throughout, with Delius firmly sticking with the main themes from the opera itself.
The rich and sonorous textures shine together as fluctuating open harmonies soar in between the gaps. The melodies heard are those that feature in the opera, although, unlike a typical classical overture, this piece is more of a standalone, with it not being obvious where the themes are from. As it started, the prelude ends quietly, with all voices slowly dropping off.
Ⓒ Alex Burns
Happy Reading!
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