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Violin Concerto

Blogs

Sergei Prokofiev ‘Violin Concerto No. 2’: The Future of Music

Sergei Prokofiev: Violin Concerto No. 2 Context Around the time of the Russian Revolution in 1917, Sergei Prokofiev left the Soviet Union and lived abroad for the next 18 years or so. He returned in 1927 an outsider, and was regarded as a foreigner by the regime whilst on tour Read more…

By Alex Burns, 7 months7 months ago
Blogs

Pablo de Sarasate ‘Zigeunerweisen’: Perennially Popular

Pablo de Sarasate: Zigeunerweisen Context As one of the most famous violin virtuosos of the 19th century, Pablo de Sarasate was also a keen composer for the instrument too. His perennially popular Zigeunerweisen was composed and published in 1878. Inspired by folk tunes from Rome, Zigeunerweisen has pleased audiences and Read more…

By Alex Burns, 8 months8 months ago
Blogs

Joan Tower ‘Violin Concerto’: Up, Down, Left, Right

Joan Tower: Violin Concerto Context Joan Tower was born in New Rochelle, New York in 1938. When Tower was nine, her family moved to Bolivia, which she describes as an integral part of her compositional style. Upon her father’s insistence, she learnt the piano and had consistent musical training. Her Read more…

By Alex Burns, 1 year1 year ago
Blogs

Antonio Vivaldi ‘The Four Seasons’: Well Weathered Concerti

Antonio Vivaldi: The Four Seasons Context Antonio Vivaldi composed his ever-popular collection of violin concerti The Four Seasons around the year 1721. The conception of what we can now deduce as an early form of programme music was revolutionary in the Baroque period. It has been speculated that the music from each Read more…

By Alex Burns, 2 years2 years ago
Blogs

Felix Mendelssohn ‘Violin Concerto in E minor’: A Romantic Tour of the Violin

Felix Mendelssohn: Violin Concerto in E minor Context Felix Mendelssohn’s Violin Concerto in E minor is a thrilling three-movement work that has become a staple piece for violinists all around the world. In the midst of the ‘changeover’ between classicism and romanticism, this work sees Mendelssohn at his best, writing with Read more…

By Alex Burns, 3 years2 years ago
Blogs

Max Bruch ‘Scottish Fantasy’: “Lamenting the Glorious Times of Old”

Max Bruch: Scottish Fantasy Context  Max Bruch was born on January 6th 1838 in Cologne. He received early musical training by pianist and composer, Ferdinand Hiller. Unlike quite a large proportion of classical musicians, Bruch’s family were very supportive of his music studies, and were often pushing him to take it Read more…

By Alex Burns, 3 years2 years ago
Blogs

Pyotr Ilyich Tchaikovsky ‘Sérénade mélancolique’: Mournful Violin

Pyotr Ilyich Tchaikovsky: Sérénade mélancolique Context Sérénade mélancolique was composed in early 1875 by Tchaikovsky at the request of violinist Leopold Auer. Scored for solo violin and orchestra, it was the first work of its kind that Tchaikovsky composed. It was composed at the same time as his iconic Piano Read more…

By Alex Burns, 3 years2 years ago
Blogs

Pierre Rode ‘Violin Concerto No.11’: Good-Humoured Zest

Pierre Rode: Violin Concerto No.11 Context Jacques Pierre Joseph Rode (1774-1830), also known as Pierre Rode, was a French violinist and composer. Rode was a pupil of Giovanni Battista viotti, who considered Rode to be the most talented student he ever taught. As a virtuoso violinist, Rode served as violin Read more…

By Alex Burns, 3 years2 years ago
Blogs

Johann Sebastian Bach ‘Violin Concerto in E Major’: Italian Flair 

Johann Sebastian Bach: Violin Concerto in E Major  Context Composed potentially between c.1717-1723, Johann Sebastian Bach’s Violin Concerto in E major was written to satisfy the requirements of Prince Leopold. The Prince wanted Bach to compose large numbers of secular music, as well as his ever-popular sacred works. It is Read more…

By Alex Burns, 3 years2 years ago
Blogs

Wolfgang Amadeus Mozart ‘Sinfonia Concertante in Eb Major’: Double Trouble

Wolfgang Amadeus Mozart: Sinfonia Concertante in Eb Major Context Following on from the popular Baroque Concerto Grosso form, the Classical period’s successor came in the form of the Sinfonia Concertante. A form that celebrates clear soloistic roles from several soloists, creating thrilling double, triple and even quadruple concertos. Particularly favoured Read more…

By Alex Burns, 4 years2 years ago
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  • Gustav Mahler ‘Symphony No.2’: Movement V
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  • Gustav Mahler ‘Symphony No.2’: Movement III
  • Gustav Mahler ‘Symphony No.2’: Movement II
  • Gustav Mahler: Symphony No.2 – Genesis & Movement I

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