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Composer of the Month

Blogs

Philip Glass ‘Etude No.1’: Pedagogical Performance

Philip Glass: Etude No.1 Context Philip Glass’ first set of Etudes were composed in the mid 1990s. In a recent interview about this set of works he commented saying:   “The point of the etudes, originally, was to strengthen my piano playing and that actually worked. I actually got to Read more…

By Alex Burns, 3 years3 years ago
Blogs

Philip Glass ‘Morning Passages’: Hypnotic Piano

Philip Glass: Morning Passages Context Composed as part of the award-winning soundtrack for the 2002 film The Hours, Philip Glass’ Morning Passages is a hypnotic work for solo piano. Glass’ soundtrack won a BAFTA for ‘Best Film Music, alongside receiving nominations for an Academy Award for ‘Best Original Score’, a Read more…

By Alex Burns, 3 years3 years ago
Blogs

Philip Glass ‘Etude No.2’: A Hypnotic Dream

Philip Glass: Etude No. 2 Context Philip Glass’ first set of Etudes were composed in the mid 1990s. In a recent interview about this set of works he commented saying:   “The point of the etudes, originally, was to strengthen my piano playing and that actually worked. I actually got Read more…

By Alex Burns, 3 years3 years ago
Blogs

Gustav Holst ‘A Moorside Suite’: Mature Brass

Gustav Holst: A Moorside Suite Context Gustav Holst’s A Moorside Suite is the composer’s only work for brass band. Commissioned by the BBC and the National Brass Band Festival Committee in 1927, A Moorside Suite was used for the final of the 1928 National Brass Band Championships of Great Britain, Read more…

By Alex Burns, 3 years3 years ago
Blogs

Franz Schubert ‘Overture in D Major’: In the Italian Style 

Franz Schubert: Overture in D Major  “In the Italian Style” Context Composed in 1817, Franz Schubert’s Overture in D major (D.590) is one of seven orchestral overtures in this key. Composed of several tunes, and laden with Schubertian harmonic changes, this overture, in it’s directed “Italian Style” is a Schubert Read more…

By Alex Burns, 3 years3 years ago
Blogs

Franz Schubert ‘Symphony No.5’: A Youthful Work

Franz Schubert: Symphony No.5 Context Completed between September-October 1816, Franz Schubert’s Fifth Symphony was quickly published after the seldom-heard Fourth Symphony. There have been a number of accounts claiming the influence of Mozart for the Fifth Symphony, with Schubert also writing in his diary, dated June 13th 1816: “O Mozart! Read more…

By Alex Burns, 3 years3 years ago
Blogs

Howard Shore ‘Concerning Hobbits’: Folk Inspired

Howard Shore: Concerning Hobbits Context Concerning Hobbits is a short concert suite of music taken from The Fellowship of the Ring soundtrack. Shore uses a range of leitmotifs and themes heard in earlier scenes to put together this light and peaceful suite. This piece has become at one with the Read more…

By Alex Burns, 3 years3 years ago
Blogs

Howard Shore ‘Mythic Gardens’: Inspired Cello

Howard Shore: Mythic Gardens Context Commissioned by the American Symphony Orchestra for cellist Sophie Shao, Howard Shore’s Mythic Gardens is a highly expressive work for cello and orchestra. The work was completed in 2012 and was given its premiere by Sophie Shao and the ASO under Leon Botstein in the Read more…

By Alex Burns, 3 years3 years ago
Blogs

Howard Shore ‘The Thief’: Hugo

Howard Shore: The Thief Context Nominated for an Oscar Award in 2011, Howard Shore’s score for the 2011 3D animated film, Hugo, is full of musical delights. The film is based on Brian Selznick’s 2007 book The Invention of Hugo Cabaret, and is based in Paris, France.    The Music Read more…

By Alex Burns, 3 years3 years ago
Blogs

Howard Shore ‘The Shire’: Hobbit Home

Howard Shore: The Shire Context Composed for the first instalment of the Lord of the Rings trilogy, The Shire is a piece of orchestral underscore that showcases the beautiful landscape that the hobbits reside in. Howard Shore composed over 150 leitmotifs throughout the three LOTR films (even more if you Read more…

By Alex Burns, 4 years3 years ago

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