Georges Bizet: Carmen Suite No. 2 Context Premiered in Paris 1875, Georges Bizet’s now popular opera Carmen received quite a neutral response from French critics. The opera ran for an impressive 45 performances, however these were poorly attended and received by French audiences. It was only when the production started Read more…
Georges Bizet: Carmen Suite No. 1 Context Premiered in Paris 1875, Georges Bizet’s now popular opera Carmen received quite a neutral response from French critics. The opera ran for an impressive 45 performances, however these were poorly attended and received by French audiences. It was only when the production started Read more…
Nikolai Rimsky-Korsakov: Russian Easter Festival Overture Context Completed in the summer of 1888, Nikolai Rimsky-Korsakov completed his ‘Bright Holiday’ work Russian Easter Festival Overture ready for its premiere in December 1888. It was dedicated to the memory of two of Rimsky-Korsakov’s Russian contemporaries, Modest Mussorgsky and Alexander Borodin, who were Read more…
Danny Elfman: Grand Finale (from Edward Scissorhands) Context Danny Elfman was born in LA in 1953, and has had an incredibly successful career in the music industry. Elfman is best-known for his collaboratory work with director, Tim Burton. He has produced film scores with Burton for films such as: Beetlejuice, Edward Scissorhands, Sleepy Hollow, Read more…
Gustav Holst: The Planets Context The Planets is a seven-movement orchestral suits composed by English composer, Gustav Holst (1874-1934). The suite was written between 1914 and 1916, with it still, even after 100 years, being one of the most recorded and well-loved orchestral works (especially within Holst repertoire). This reception Read more…
Joseph Haydn: Symphony No. 103 ‘Drumroll’ Context Joseph Haydn was born in 1732 in Rahrau, Austria, where he was brought up listening to and performing folk-music. As he grew up he showed musical talent, and his parents sent him away to be trained as a professional musician. After struggling as Read more…
Sergei Rachmaninov: Rhapsody on a Theme of Paganini (Variation 18) Context Sergei Rachmaninov’s Rhapsody on a Theme of Paganini is a concertante work (a large-scale work which uses both the symphonic and concerto forms throughout). It was composed in 1934, and is scored for solo piano and a full Romantic Read more…
Gustav Mahler: Symphony No.9 Movement IV Referring back to Bernstein’s theory that every movement represents a farewell to an aspect of life (read more in the previous blog), this movement is a farewell to life itself. The form of the finale can be read in two different ways, either as a Read more…
Gustav Mahler: Symphony No.9 Movement III In his introduction to the symphonic works of Gustav Mahler, Leonard Bernstein claims that each movement of the Ninth Symphony is a farewell in itself, which then feeds into the overriding themes of farewell and death. The first movement is a farewell to passion and Read more…
Gustav Mahler: Symphony No.9 Movement II The second movement has been said to be a ‘dance of death’ or Todtentanz for the original German translation. Adorno was one of the first to publicly characterize this movement, alongside critic Paul Bekker. This movement resonates a previous symphony by Mahler, the Fourth, which uses Read more…