Wolfgang Amadeus Mozart: Sinfonia Concertante in Eb Major Context Following on from the popular Baroque Concerto Grosso form, the Classical period’s successor came in the form of the Sinfonia Concertante. A form that celebrates clear soloistic roles from several soloists, creating thrilling double, triple and even quadruple concertos. Particularly favoured Read more…
Joseph Haydn: Symphony No. 103 ‘Drumroll’ Context Joseph Haydn was born in 1732 in Rahrau, Austria, where he was brought up listening to and performing folk-music. As he grew up he showed musical talent, and his parents sent him away to be trained as a professional musician. After struggling as Read more…
Gustav Mahler: Symphony No.9 Movement IV Referring back to Bernstein’s theory that every movement represents a farewell to an aspect of life (read more in the previous blog), this movement is a farewell to life itself. The form of the finale can be read in two different ways, either as a Read more…
Gustav Mahler: Symphony No.9 Movement III In his introduction to the symphonic works of Gustav Mahler, Leonard Bernstein claims that each movement of the Ninth Symphony is a farewell in itself, which then feeds into the overriding themes of farewell and death. The first movement is a farewell to passion and Read more…
Gustav Mahler: Symphony No.9 Movement II The second movement has been said to be a ‘dance of death’ or Todtentanz for the original German translation. Adorno was one of the first to publicly characterize this movement, alongside critic Paul Bekker. This movement resonates a previous symphony by Mahler, the Fourth, which uses Read more…
Gustav Mahler: Symphony No.9 Genesis & Movement I Gustav Mahler (1860-1911), composed his Ninth Symphony in the last few years of his life between 1909 and 1910. This Ninth Symphony was the last work that Mahler completed before his death in 1911 (whilst he was part-way through the Tenth Symphony). The Read more…