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Women of Classicalexburns

Blogs

Dorothy Howell ‘Lamia’: A Proms Favourite

Dorothy Howell: Lamia Context Fresh out of the Royal Academy of Music aged 21, Dorothy Howell achieved her biggest fame with the symphonic poem, Lamia. Based on the Keats poem of the same name, the work was premiered by Sir Henry Wood at The Proms on 10th September 1919, and Read more…

By Alex Burns, 3 years ago
Blogs

Ursula Mamlok ‘From My Garden’: For Solo Viola

Ursula Mamlok: From My Garden Context Born on February 1st, 1923, Ursula Mamlok was born in Berlin, Germany into a primarily Jewish family. Her biological father, Hans Meyer, died when she was a baby, but her mother remarried fairly soon after. Mamlok composed and performed as a child in Berlin, Read more…

By Alex Burns, 3 years ago
Blogs

Rachel Portman ‘Theme from Emma’: Rich Strings

Rachel Portman: Theme from Emma Context Rachel Portman wrote the score for the 1996 film Emma and was released in July of the same year by Hollywood Records. Portman commented on the style of the score saying that it was:   “A purely classical score. It is an orchestral piece, Read more…

By Alex Burns, 3 years3 years ago
Blogs

Ursula Mamlok ‘Concerto for Oboe’: Perfect Musical Clarity

Ursula Mamlok: Concerto for Oboe Context Born on February 1st, 1923, Ursula Mamlok was born in Berlin, Germany into a primarily Jewish family. Her biological father, Hans Meyer, died when she was a baby, but her mother remarried fairly soon after. Mamlok composed and performed as a child in Berlin, however, Read more…

By Alex Burns, 3 years3 years ago
Blogs

Debbie Wiseman ‘Wolf Hall’: Historical Performance

Debbie Wiseman: Wolf Hall Context First broadcast in 2015, BBC’s Wolf Hall is a six-part historical series based on Hilary Mantel’s novels of the same name. The story follows that of Thomas Cromwell in the court of Henry VIII through to the death of Sir Thomas More. Debbie Wiseman wrote Read more…

By Alex Burns, 3 years ago
Blogs

Missy Mazzoli ‘Dark with Excessive Bright’: Contrabass Tones

Missy Mazzoli: Dark with Excessive Bright Context Missy Mazolli composed Dark with Excessive Bright specifically for contrabass soloist, Maxime Bibeau and the Australian Chamber Orchestra in 2018. Part of Mazzoli’s programme note reads:   “I was inspired in no small part by Maxime’s double bass, a massive instrument built in Read more…

By Alex Burns, 3 years ago
Blogs

Louise Farrenc ‘Symphony No.3’: The Final Three

Louise Farrenc: Symphony No.3 Context Born in May 1804, French composer, pedagogue and concert pianist Louise Farrenc enjoyed a fruitful reputation during her lifetime. She learned under some of the best including Johann Nepomuk Hummel and Ignaz Moscheles. She also received composition lessons from Anton Reicha – a professor at Read more…

By Alex Burns, 3 years ago
Blogs

Tansy Davies ‘neon’: Effortlessly Eccentric

Tansy Davies: neon Context Tansy Davies was born in May 1973 in Bristol, UK. From a young age she was interested in singing and playing guitar in rock ensembles. Davies is also a proficient French Horn player and played in a range of various ensembles. As well as performance, Davies was also Read more…

By Alex Burns, 3 years3 years ago
Blogs

Ann Southam ‘Webster’s Spin’: Hypnotising Strings

Ann Southam: Webster’s Spin Context After years of writing electronic music, Canadian composer Ann Southam abandoned the tapes and tracks and focused on more classically-inclined pieces. Webster’s Spin, a composition for string orchestra, was composed in 1993 after a commission came from the CBC. The Manitoba Chamber Orchestra premiered the Read more…

By Alex Burns, 3 years3 years ago
Blogs

Joan Tower ‘Violin Concerto’: Up, Down, Left, Right

Joan Tower: Violin Concerto Context Joan Tower was born in New Rochelle, New York in 1938. When Tower was nine, her family moved to Bolivia, which she describes as an integral part of her compositional style. Upon her father’s insistence, she learnt the piano and had consistent musical training. Her Read more…

By Alex Burns, 3 years3 years ago

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