Ralph Vaughan Williams: Five Variants of Dives & Lazarus Context As an avid collector of English folksong, Vaughan Williams used a lot of throughout his career. As can be seen from a menagerie of his works from Fantasia on a Theme by Thomas Tallis and In the Fen Country, Vaughan Read more…
George Frideric Handel: Ombra mai fù Context Commonly known as Handel’s ‘Largo of Love’, Ombra mai fù is the opening aria in the 1738 opera Serse. Sung by the character Xerxes I of Persia, the vocal part is composed for a countertenor. Perhaps the most striking element of this aria is the vocal range used, as it Read more…
Gustav Mahler: Symphony No.9 Movement III In his introduction to the symphonic works of Gustav Mahler, Leonard Bernstein claims that each movement of the Ninth Symphony is a farewell in itself, which then feeds into the overriding themes of farewell and death. The first movement is a farewell to passion and Read more…
Gustav Mahler: Symphony No.9 Movement II The second movement has been said to be a ‘dance of death’ or Todtentanz for the original German translation. Adorno was one of the first to publicly characterize this movement, alongside critic Paul Bekker. This movement resonates a previous symphony by Mahler, the Fourth, which uses Read more…
Gustav Mahler: Symphony No.9 Genesis & Movement I Gustav Mahler (1860-1911), composed his Ninth Symphony in the last few years of his life between 1909 and 1910. This Ninth Symphony was the last work that Mahler completed before his death in 1911 (whilst he was part-way through the Tenth Symphony). The Read more…