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Blogs

Blogs

Anton Bruckner ‘Ecce sacerdos magnus’: The Procession

Anton Bruckner: Ecce sacerdos magnus Context Although largely remembered for his symphonic works, Anton Bruckner also composed a number of choral works and sacred motets. Ecce sacerdos magnus was composed in 1885 and is a musical setting of the antiphon of the same name. Translating to ‘Behold the Great Priest’, Read more…

By Alex Burns, 5 years ago
Blogs

Ferdinand Küchler ‘Concertino in the Style of Antonio Vivaldi’: A Learning Curve

Ferdinand Küchler: Concertino in the Style of Antonio Vivaldi Context Ferdinand Küchler (1867-1937) was one of the leading violin pedagogues of his time. Küchler wrote many books and works specifically aimed at young violinists learning their way around the instrument. Many of his works are still used today by teachers Read more…

By Alex Burns, 5 years ago
Blogs

Ethel Smyth ‘The Wreckers Overture’: Impressions of a Strange World

Ethel Smyth: The Wreckers Overture Context Composed and premiered in 1906, The Wreckers is one of Dame Ethel Smyth’s most intriguing operas. The original libretto was in French and was written by Henry Brewster. Smyth tried hard to get a French performance of the opera, however the first performance was Read more…

By Alex Burns, 5 years4 years ago
Blogs

George Frideric Handel ‘Thus Saith the Lord’: Scene Two

George Frideric Handel: Thus Saith the Lord Messiah Part I Context George Frideric Handel’s Messiah has remained one of the composer’s most beloved works. Incredibly, Handel completed this 260-page oratorio in just 24 days during the summer of 1741. The scriptural text was compiled by Charles Jennens, with the source Read more…

By Alex Burns, 5 years5 years ago
Blogs

George Frideric Handel ‘And the Glory, the Glory of the Lord’: Revelations

George Frideric Handel: And the Glory, the Glory of the Lord Messiah Part I Context George Frideric Handel’s Messiah has remained one of the composer’s most beloved works. Incredibly, Handel completed this 260-page oratorio in just 24 days during the summer of 1741. The scriptural text was compiled by Charles Read more…

By Alex Burns, 5 years5 years ago
Blogs

Elmer Bernstein ‘The Great Escape Main Title’: A Catchy Tune

Elmer Bernstein: The Great Escape Main Title Context Elmer Bernstein is fondly remembered as being one of the leading film composers of the 20th Century. His music is some of the most recognisable, with his scores for The Magnificent Seven (1960), The Great Escape (1963) and Ghostbusters (1984) being particular Read more…

By Alex Burns, 5 years ago
Blogs

Ethel Smyth ‘Fȇte Galante Overture’: A Traditional Step

Ethel Smyth: Fȇte Galante Overture Context Dame Ethel Smyth is one of the most important British composers that bridged the gap between the 19th and 20th centuries. She composed a number of orchestral works, chamber music, songs and six operas. Also a talented writer, Smyth also penned 9 books (in Read more…

By Alex Burns, 5 years4 years ago
Blogs

George Frideric Handel ‘Ev’ry Valley Shall Be Exalted’: Make Way! Make Way!

George Frideric Handel: Ev’ry Valley Shall Be Exalted Messiah Part I Context George Frideric Handel’s Messiah has remained one of the composer’s most beloved works. Incredibly, Handel completed this 260-page oratorio in just 24 days during the summer of 1741. The scriptural text was compiled by Charles Jennens, with the Read more…

By Alex Burns, 5 years5 years ago
Blogs

Aaron Copland ‘John Henry’: A Short Story

Aaron Copland: John Henry Context Originally composed in 1940 for radio broadcast, Aaron Copland’s John Henry is a short orchestral piece based on the popular folk ballad. Aimed at high school-ability players, as well as listeners, Copland wanted to make sure that this piece fitted with their expectations:   “Knowing Read more…

By Alex Burns, 5 years ago
Blogs

Gioachino Rossini ‘Le siège de Corinthe Overture’: Dramatic Beginnings

Gioachino Rossini: Le siège de Corinthe Overture Context Le siège de Corinthe is the name of an 1826 opera by Gioachino Rossini. With a French libretto by Luigi Blocchi and Alexandre Soumet, the opera is based on Rossini’s re-worked music from his 1820 opera, Maometto II. His first French opera, Read more…

By Alex Burns, 5 years ago

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