Paul Reade: Victorian Kitchen Garden Suite Context Paul Reade (1943-1997) was born in Liverpool, UK. He studied at the Royal Academy of Music in London, where he studied piano performance with Alan Richardson. Whilst at the Academy, Reade had his first orchestral work, Overture to a City, premiered by the resident orchestra, Read more…
Richard Peaslee: Nightsongs Context Richard Peaslee was born in New York City in 1930. He studied composition at Yale University, and began to specialise in big band music. With Peaslee’s breadth of knowledge, his style has been described as eclectic due to his use of jazz, folk, electronic and instrumental Read more…
Arnold Schoenberg: String Quartet No. 2 Context Born into a lower-middle class Jewish family in Vienna in 1874, Schoenberg was a mostly self-taught composer. He learnt counterpoint with composer and pedagogue, Alexander Von Zemlinsky and was also taken under the wing by Gustav Mahler. Schoenberg is perhaps most famous for Read more…
Paul Mealor: De Profundis Context Paul Mealor was born in North Wales, 1975, and as a young child he studied composition with William Mathias. He attended the University of York, and studied under John Pickard and Nicola LeFanu. For fourteen years now, Mealor has taught composition at the University of Aberdeen. Mealor Read more…
Antonín Dvořák: In Nature’s Realm Context In Nature’s Realm was composed between March 31st and July 8th 1891, and the first performance was given the following April in Prague. The trio is connected by themes that represent nature, and to begin with they were going to be published together, until Dvořák changed Read more…
Frédéric Chopin: Nocturne Op.15, No.3 Context Chopin’s catalogue of music reaches around 235 compositions, most of which are for solo piano. He was educated in the tradition of Beethoven, Mozart and Clementi, and was also very much influenced by Haydn and Hummel. Chopin was the first to compose ballades and scherzi Read more…
Gustav Mahler: Symphony No.9 Movement IV Referring back to Bernstein’s theory that every movement represents a farewell to an aspect of life (read more in the previous blog), this movement is a farewell to life itself. The form of the finale can be read in two different ways, either as a Read more…
Gustav Mahler: Symphony No.9 Movement III In his introduction to the symphonic works of Gustav Mahler, Leonard Bernstein claims that each movement of the Ninth Symphony is a farewell in itself, which then feeds into the overriding themes of farewell and death. The first movement is a farewell to passion and Read more…
Gustav Mahler: Symphony No.9 Movement II The second movement has been said to be a ‘dance of death’ or Todtentanz for the original German translation. Adorno was one of the first to publicly characterize this movement, alongside critic Paul Bekker. This movement resonates a previous symphony by Mahler, the Fourth, which uses Read more…
Gustav Mahler: Symphony No.9 Genesis & Movement I Gustav Mahler (1860-1911), composed his Ninth Symphony in the last few years of his life between 1909 and 1910. This Ninth Symphony was the last work that Mahler completed before his death in 1911 (whilst he was part-way through the Tenth Symphony). The Read more…