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Composer of the Month

Blogs

Ludwig van Beethoven ‘Piano Sonata No.17’: The Tempest

Ludwig van Beethoven:  Piano Sonata No.17 Context Ludwig van Beethoven’s Piano Sonata No.17 was composed between 1801-02. Often referred to as ‘The Tempest’, the nickname is said to have originated from a personal conversation between Beethoven and Anton Schindler.    The Music Movement I – Largo-Allegro The opening bar and Read more…

By Alex Burns, 5 years5 years ago
Blogs

Ludwig van Beethoven ‘Piano Trio in D Major ‘Ghost’’: Spiritual Chamber Music

Ludwig van Beethoven: Piano Trio in D Major ‘Ghost’ Context Ludwig van Beethoven’s set of two piano trios under Opus. 70 were composed during the composer’s stay at Countess Marie von Erdödy’s estate. Both of the trios are dedicated to the Countess, and were published in 1809.  The first trio, Read more…

By Alex Burns, 5 years5 years ago
Blogs

Ludwig van Beethoven ‘Symphony No.5’: Dun Dun Dun Dunnnnn!

Ludwig van Beethoven: Symphony No.5 A Snapshot Context Composed between 1804-1808, Ludwig van Beethoven’s Fifth Symphony is not only one of his most famous works, but it’s also one of the most well-known works in the Western Classical Music canon. The Fifth Symphony premiered on 22nd December 1808 in an Read more…

By Alex Burns, 5 years5 years ago
Blogs

Ludwig van Beethoven ‘Prometheus Overture’: A Mythical Adventure

Ludwig van Beethoven: The Creatures of Prometheus Overture Context The Creatures of Prometheus is a ballet composed in 1801 by Ludwig van Beethoven. The ballet premiered in March 1801 at the Burgtheater in Vienna, and received its US premiere in 1808. The ballet is the only one that Beethoven wrote. Read more…

By Alex Burns, 5 years5 years ago
Blogs

Ruth Schönthal: String Quartet No.3 ‘In Memorium Holocaust’: Always Remember

Ruth Schönthal: String Quartet No.3 ‘In Memorium Holocaust’ Context Composed in 1997, Ruth Schönthal’s String Quartet No.3 is subtitled ‘In Memroiam Holocaust’. For many years Schönthal had avoided this topic in her music as she didn’t want to trivialise the Holocaust. In a 1999 interview she claimed that other composers Read more…

By Alex Burns, 5 years4 years ago
Blogs

Ruth Schönthal ‘Sonata Concertante’: Clever Clarinet

Ruth Schönthal: Sonata Concertante Context Originally written to be played on either a cello, viola or clarinet, Ruth Schönthal’s Sonata Concertante was composed in 1973. Now fondly remembered as a work for clarinet and piano, that is the version this blog will discuss. There aren’t many records regarding this work, Read more…

By Alex Burns, 5 years4 years ago
Blogs

Ruth Schönthal ‘Sonata, quasi un’improvvisazione’: A New Style

Ruth Schönthal: Sonata, quasi un’improvvisazione Context Composed in 1964, Ruth Schönthal’s Sonata, quasi un’improvvisazione is one of three one-movement sonatas that she composed. The other two are Sonata Breve (1972) and Sonatensatz (1973). The premiere of this sonata happened at the Delta Omicron 26th Annual WNYC Festival of American Music Read more…

By Alex Burns, 5 years4 years ago
Blogs

Ruth Schönthal ‘Self-Portrait of the Artist as an Older Woman’: Nostalgic Piano

Ruth Schönthal: Self-Portrait of the Artist as an Older Woman Context Ruth Schönthal was a Jewish-American pianist and composer who was of German birth. Schönthal was a remarkable pianist, dedicated pedagogue and keen composer throughout her lifetime, with her taking a professorship at several universities in New York. Schönthal’s compositional Read more…

By Alex Burns, 5 years4 years ago
Blogs

Johann Strauss II ‘Die Fledermaus Overture’: Setting the Scene

Johann Strauss II: Die Fledermaus Overture Context Operettas became popular in Europe from the 1850s, with the quick theatrical pace and comedic plot lines pleasing audiences for years. The infectious melodies that dominated operettas from this time fitted really well with the waltzes and polkas that Strauss had been pleasing Read more…

By Alex Burns, 5 years5 years ago
Blogs

Johann Strauss II ‘Tausend und eine Nacht’: A Charming Dance

Johann Strauss II: Tausend und eine Nacht Context Translated as ‘Thousand and One Nights’, Johann Strauss II composed this famous waltz in 1871. The melodies for this waltz came from his first operetta Indigo und die vierzig Räuber (‘Indigo and the Forty Thieves’). Though a triumph for the composer, the Read more…

By Alex Burns, 5 years5 years ago

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